Posts tagged garbage
For the original by Thiago Jansen in Portuguese for O Globo click here.
In addition to being a Comlurb employee, Alexandre is a pai-de-santo (male priest of Umbanda, a primary Afro-Brazilian religion), and approaches his work with naturalness.
RIO—His name is an actor’s name. His nickname, a singer’s. Thus, his holiness could be no other than the hunter of axé (energy) Oxóssi, Afro-Brazilian diety of abundance, linked to the arts. Known as Emílio by his work colleagues—for his likeness to the musician Emílio Santiago who died last year—the city street sweeper Alexandre Borges, 31 years old, is famous in the Municipal Urban Cleaning Company of More >
Climbing one of the many slopes of Morro da Pedreira in Costa Barros in Rio de Janeiro’s North Zone, you might not guess you’d find a father up here with a great talent for folk art and a passion for recycling and the environment. The material this man has chosen for his beautiful work is glass.
Often carelessly thrown away, glass becomes one of the villains in this season’s all-too-common flooding. Glass takes hundreds of years to biodegrade, which is why it is commonly recycled, or at least should be.
The artist Alex Sandro, or “Cabeludo” as he’s known in the community More >
Dull concrete, broken equipment and sparse vegetation compose Vidigal‘s official “Ecological Park.” Like many residents, Felipe Paiva of Cidade Unida (“United City”) wasn’t impressed. His voice carried more than a hint of irony as he detailed its construction: “The Prefeitura (City Hall) tore down some buildings to clear out this square, left the trees around the edges, and called it an ecological park.” An unfinished swing set framed the scene in tired themes of half-hearted government investment that define too many favela communities. But Felipe continued on a brighter note: “Down there, residents built a proper ecological park for ourselves.”
After our More >
By official count, 102,000 residents animate the streets of Rocinha, Brazil’s most populous single favela community. 10,000 mototaxis buzz up and down the uneven landscape. But what called my attention this past Friday was the litter, which had been rendered chaotic by the force of the evening’s downpour. Bottles and cans floated at the edges of a large open sewer – just a few minutes’ walk from the R$15 million Niemeyer passarela (footbridge) and the 2010 sports complex attached to it.
In Rocinha, as in many favelas, we find government investment rooted not in public need but in political imagery. “Rocinha is Ours,” O Globo (the More >
As the closing of Rio’s giant Jardim Gramacho landfill is presented at Rio+20 as an example of substituting an untreated open facility for a modern waste treatment plant, the community that worked there as the city’s recycling force for the last three decades face an uncertain future.
The largest garbage dump in Latin America, the metropolitan landfill of Jardim Gramacho received Rio’s daily 9,000 tons of trash up until its closure on June 3rd. Catapulted into the international limelight by the 2010 Oscar-nominated documentary Waste Land, the landfill’s 1,700 registered recyclable material collectors – catadores in Portuguese – are receiving a lump sum More >