{"id":29191,"date":"2016-06-03T12:40:51","date_gmt":"2016-06-03T15:40:51","guid":{"rendered":"http:\/\/www.rioonwatch.org\/?p=29191"},"modified":"2016-07-11T11:54:37","modified_gmt":"2016-07-11T14:54:37","slug":"the-little-known-history-of-little-africa-in-rio-de-janeiros-port-zone","status":"publish","type":"post","link":"https:\/\/rioonwatch.org\/?p=29191","title":{"rendered":"The Little-Known History of Little Africa in Rio de Janeiro’s Port Zone"},"content":{"rendered":"

Clique aqui para Portugu\u00eas<\/em><\/strong><\/a><\/p>\n

Little Africa,\u00a0Pequena \u00c1frica\u00a0<\/em>in Portuguese, is an area in the Port Region<\/a>\u00a0of Rio de Janeiro that has historically been home to a strong Afro-Brazilian community. The area became known as Little\u00a0Africa following the outlaw of the slave trade<\/a> in Brazil in 1831 (though the abolition of slavery<\/a> outright would not come for another 50 years).\u00a0Between 1850 and 1920 freed slaves remained working in the area, and blacks and freed Africans from Bahia or the interior traveled to Little Africa in search of work and a sense of community. The area often welcomed blacks from all over the country with open arms. Houses, places to eat, to gather\u00a0and\u00a0practice African religions were established throughout the area.\u00a0<\/span><\/p>\n

Despite this rich history, Rio’s African heritage and long history of slavery is all too often overlooked<\/a>. Despite the renovation of the port area through the\u00a0Porto Maravilha<\/a>\u00a0project and the creation of<\/a>\u00a0an African Heritage Circuit<\/a>, the history of the sites remains largely unknown.<\/p>\n

\"Pedra<\/a><\/h3>\n

Pedra do Sal<\/b><\/h3>\n

A popular samba spot for locals and tourists alike, Pedra do Sal<\/a>\u00a0is the oldest continually inhabited black neighborhood in Rio de Janeiro. The community was officially recognized<\/a> as a quilombo<\/a> in December 2005, and is a strong source of Afro-Brazilian culture<\/a>. The area\u00a0is widely credited as the birthplace of both samba<\/a> and Carnival<\/a>. The spot\u00a0gets its name from the large stone (pedra<\/em>\u00a0in Portuguese) where salt (sal<\/em>) and trades were sold when the bay reached its shores. The stone\u00a0was used to dry salt\u00a0and climbs\u00a0up the side of the main square. <\/span><\/p>\n

Pedra do Sal may have been the first place ever to practice democracy in Brazil. Historian and researcher Sadakne Baroudi<\/a> says that the community of Pedra do Sal formed its\u00a0own government and voted their kings, queens and courts each year. This structure eventually became the samba schools of modern day Rio.<\/p>\n

The memory of Pedra do Sal is preserved by the residents of the thriving community, where traditions such as African-influenced religions like Candombl\u00e9<\/a> and music run strong.<\/p>\n

\"Hanging<\/a><\/p>\n

Rua do Valongo<\/b><\/h3>\n

Below Brazil’s first favela, Provid\u00eancia<\/a>, the Rua do Valongo is\u00a0a road that ran from Largo do Dep\u00f3sito, where enslaved Africans brought to Brazil via Rio\u00a0were kept in fattening houses to increase their price at market until they were ready to be sold\u00a0at\u00a0the Valongo slave market<\/a>. Houses and shops along this road were also used to sell slaves and reside them\u00a0until they sold. Archeologists have discovered a wealth of household artifacts around the area that tell of daily life along the road.<\/p>\n

In 1906 a hanging garden<\/a> was designed by the architect Luis Rei and built where the road once stood in an effort to remodel and “beautify” the city. It was designed to imitate the image of similar spaces in European metropoles, and even today holds classical-looking statues of Greek or Roman tradition, ignoring and whitewashing the history<\/a> of oppression and violence that took place there. <\/span><\/p>\n

The hanging garden was recently renovated by the City as part of the Porto Maravilha\u00a0project, and an information board with its history displayed. However many view this as an inadequate testament to the brutality that took place here.<\/p>\n

\"Church<\/a><\/h3>\n

The Black Church<\/b><\/h3>\n

The construction of the Black Church<\/a>, the Church of Our Lady of the Rosary and Saint Benedict, in the place where it now stands began in 1700, and was finished in 1737. It is an important center of Afro-Brazilian religion and political and social life. It was the site of the first political protest in Brazil in 1822.<\/p>\n

In 1967 the Black Church and Museum that it also houses were ravaged by a fire. The building still stands and is open to the public, though it is sparsely decorated. \u00a0<\/span><\/p>\n

Many important Afro-Brazilian figures are said to be buried here, including Anastasia<\/a>, a slave woman popularly venerated as a saint in Brazil. Although the Catholic Church denies her existence after claiming to find no remains on the site during the renovation after the fire, and removed her image from all church owned properties, she remains an important figure of worship for Brazilian catholics and followers of Afro-Brazilian religions such as Umbanda<\/a>.<\/span><\/p>\n

\"Largo<\/a><\/h3>\n

Largo do Dep\u00f3sito<\/b><\/h3>\n

When enslaved\u00a0Africans arrived from the journey across the Atlantic<\/a> they were often malnourished, ill and injured. They could not be sold in this condition, and so were kept in “fattening houses” where they were fed to increase their market value. Largo do Dep\u00f3sito, today known as Pra\u00e7a dos Estivadores, was the center of these warehouses where slaves were kept, fattened, and prepared to be sold.\u00a0<\/span>Today Largo do Deposito is a stop on the Porto Maravilha heritage tour.<\/p>\n

\"Valongo<\/a><\/p>\n

Cais do Valongo<\/b><\/h3>\n

The archaeological remains of Cais do Valongo<\/a>, or Valongo Wharf, located in the center of Little\u00a0Africa, mark what was once Rio de Janeiro\u2019s most active slave market. Over the course of its operation between 1774 and 1831 an estimated 500,000 to 700,000 enslaved and captured African men and women ended their forced journey across the Atlantic Ocean at Valongo Wharf.<\/span><\/p>\n

The transatlantic slave trade was outlawed in 1831 and Valongo Wharf was officially closed, although slave trade continued illegally<\/a> in Brazil for the following decade and slavery was not abolished until 1888.<\/span><\/p>\n

Since its construction, the Valongo Wharf was meant to hide the slave market from Rio de Janeiro\u2019s elite, who were concerned about contracting diseases and did not want to face the ugliness of the slave trade. In the 1700s the majority of the captured men, women, and children were brought to Rio de Janeiro\u2019s commercial city center<\/a> near what is today Pra\u00e7a XV. <\/span>In 1774 the point of slave trade disembarkment was moved to the Valongo bay area, after years of complaints from elites. <\/span><\/p>\n

In 1843, the city of Rio de Janeiro built over Valongo Wharf in order to erase the memory of the slave trade<\/a> and create a new port of entry for Italian Princess Tereza Cristina de Bourbon, the wife of Emperor Don Pedro II. The street name was changed from Rua do Valongo to Rua da Imperatriz. Again, between 1904 and 1910 the city built a large landfill on top of the\u00a0Wharf, further burying the history of Rio de Janeiro\u2019s slave trade. The landfill made up part of the Port Region which is now Pra\u00e7a Mau\u00e1<\/a>.<\/span><\/p>\n

When the Porto Maravilha redevelopment project began in 2009, the Institute of National Artistic and Historic Heritage (IPHAN)<\/span>\u00a0was approved to conduct an archeological research study in the area where the Valongo Wharf was thought to be. In 2011 the project revealed the multiple layers of the Valongo Wharf and various artifacts brought over by the enslaved Africans<\/a>.<\/span><\/p>\n

Tania Andrade Lima<\/a>, archaeologist of the Rio de Janeiro Federal University’s National Museum, stated: \u201cValongo reeks of extreme oppression, racism, intolerance, inequality and marginalization. It conjures up a heavy and oppressive past, whose consequences are felt to this day and will be felt for a long time yet in Brazil.<\/span><\/p>\n

\u201cOur intention in bringing it back into evidence was to return to the slaves of Valongo\u2013ignored or forgotten by dominant narratives and who have remained in the shadows for centuries\u2013their right to be remembered. We must remember, remember always and in all circumstances.\u201d\u00a0<\/span><\/p>\n

\"Cemetery<\/a><\/p>\n

New\u00a0Blacks Cemetery<\/b><\/h3>\n

Very close to Valongo Wharf is the Cemit\u00e9rio Pretos Novos<\/a>, or the New Blacks Cemetery, where between 20,000 to 30,000<\/a> captured and enslaved men and women that did not survive the forced voyage from Africa to Rio de Janeiro or died shortly after arrival were buried. The bodies were crushed and thrown into a mass grave along with trash, such as broken pottery and chicken bones.\u00a0<\/span><\/p>\n

The New Blacks Cemetery<\/a>\u00a0is considered to be the largest slave cemetery in\u00a0the Americas. The cemetery is first shown in maps dating back to 1791. The cemetery\u00a0was closed in 1831, as the slave trade formally ended in Brazil. Similar to the Valongo Wharf, the cemetery\u00a0was built on top of and covered by housing and urban development over the years. It was not until 1996 that the cemetery\u00a0was rediscovered<\/a> when a couple that was restoring their house found human bones underneath it. After this discovery IPHAN conducted archaeological research in the area and an important research institute<\/a> has been established on the site.<\/span><\/p>\n

To explore Rio’s Port and Little Africa, read more here and take\u00a0the Afro-Rio Walking Tour.<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Clique aqui para Portugu\u00eas Little Africa,\u00a0Pequena \u00c1frica\u00a0in Portuguese, is an area in the Port Region\u00a0of Rio de Janeiro that has historically been home to a strong Afro-Brazilian community. The area became known as Little\u00a0Africa following […]<\/a><\/p>\n<\/div>","protected":false},"author":104,"featured_media":29287,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1267,1288,328,1329],"tags":[662,772,1261,504,221,674,170,188,2036,1036,148,146,1899,1347,571,279,156,1511],"writer":[1999,1964],"translator":[],"illustrator":[],"photographer":[],"class_list":{"0":"post-29191","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-gentrificationwatch","8":"category-highlight","9":"category-understanding-rio","10":"category-by-international-observers","11":"tag-afro-brazilian-culture","12":"tag-cais-do-valongo","13":"tag-central-rio","14":"tag-culture","15":"tag-favela-culture","16":"tag-memory","17":"tag-historic-preservation","18":"tag-history","19":"tag-pedra-do-sal","20":"tag-pedra-do-sal-quilombo","21":"tag-port-region","22":"tag-porto-maravilha","23":"tag-praca-maua","24":"tag-pretos-novos","25":"tag-samba","26":"tag-slavery","27":"tag-south-zone","28":"tag-valongo","29":"writer-mariah-barber","30":"writer-rhona-mackay"},"_links":{"self":[{"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/posts\/29191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/users\/104"}],"replies":[{"embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=29191"}],"version-history":[{"count":0,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/posts\/29191\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/media\/29287"}],"wp:attachment":[{"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=29191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=29191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=29191"},{"taxonomy":"writer","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fwriter&post=29191"},{"taxonomy":"translator","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftranslator&post=29191"},{"taxonomy":"illustrator","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fillustrator&post=29191"},{"taxonomy":"photographer","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fphotographer&post=29191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}