{"id":36394,"date":"2017-05-13T08:15:29","date_gmt":"2017-05-13T11:15:29","guid":{"rendered":"http:\/\/www.rioonwatch.org\/?p=36394"},"modified":"2025-08-07T12:07:05","modified_gmt":"2025-08-07T15:07:05","slug":"baixada-never-gives-up-un-sponsored-cultural-collective-featured-in-new-documentary","status":"publish","type":"post","link":"https:\/\/rioonwatch.org\/?p=36394","title":{"rendered":"Baixada Never Gives Up: Cultural Collective Featured in New UN Documentary"},"content":{"rendered":"

Clique aqui para Portugu\u00eas<\/em><\/strong><\/a><\/p>\n

On May 9, journalists were invited to an advanced screening of the documentary \u201cBaixada Never Gives Up.”\u00a0The film, directed by Italy\u2019s Christian Tragni and Brazil\u2019s Juliana Spinola, introduces the world to the first collective of artists and musicians from Rio de Janeiro’s\u00a0Baixada Fluminense<\/a>, to be sponsored by the United Nations Development Programme:\u00a0Baixada Nunca Se Rende <\/em><\/a>(Baixada Never Gives Up- or BXD). Comprised of cultural producers from throughout the Baixada Fluminense, the collective is based in Belford Roxo<\/a> and meets at the Donana Cultural Center<\/a>, an important site of artistic expression in the Baixada since the 1980s.<\/p>\n

The film will premiere to the public on Wednesday May 17<\/a> at the Odeon Theater in downtown Rio with live performances from BXD members.<\/p>\n

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In local and international media<\/a>, the\u00a0Baixada Fluminense<\/a> has long been sensationalized and stigmatized<\/a> as a region\u00a0dominated by\u00a0violence–Belford Roxo was considered by the UN as one of the most dangerous cities in the world in the 1980s<\/a>. Home to nearly 4 million people, the 13 municipalities of the Baixada Fluminense are an integral part of Metropolitan Rio’s cultural, economic, and social past, present, and future. Yet homicide rates that far outpace Rio proper<\/a>–with a population of 6 million–coupled with poor public services and negligent policymakers have left residents in a precarious human rights situation for decades<\/a>. The partnership between the UNDP, through the Rio+ Centre<\/a>, aims to highlight the cultural potential of urban peripheries in addressing residents’ most dire concerns, including violence, access to public services like health and education, investment in cultural programs, local economic opportunities, and government transparency and accountability.<\/p>\n

“[It’s] music that condemns or shows some of the problems here,” explains vocalist for the band Rota Spiral and Portuguese literature public school teacher Renato Aranha, “but that are also common in any other part of the world because the periphery is always a periphery.”<\/p>\n

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The partnership underscores the “leave no one behind” spirit of the 17 goals of the United Nations’ 2030 Agenda for Sustainable Development<\/a>–the successor to the UN Development Goals<\/a> that have been agreed upon by all 193 Member States and went into effect on January 1, 2016–which aims to make sustainable development a reality for all regardless of race, religion, gender or location<\/a>.<\/p>\n

Layla Raad, Deputy Director of the Rio+ World Centre for Sustainable Development, cites Rio as the birthplace of the 2030 Agenda for Sustainable Development following the Rio+20 Conference of 2012, and speaks in the film of the pride the UN feels for launching a global initiative in the Baixada. The partnership with\u00a0Baixada Nunca Se Rende<\/em> is a pilot program that will be replicated in UNDP offices in 166 developing countries with the objective of using music and art “to work closer to citizens from the suburbs in the implementation of the sustainable development agenda and to trigger increased government transparency and accountability.”<\/p>\n

Through their music, the artists tackle issues of racism<\/a>, stigmatization<\/a>, police violence<\/a>, environmental conservation<\/a>, and the essential role of women<\/a> in creating more just and sustainable metropolitan regions.<\/p>\n

When asked what it was like to see the film for the first time, Wallace Cruz, of the Mesquita<\/a>-based band\u00a0Gente<\/em><\/a>, whose song\u00a0Rede<\/em><\/a> (Hammock) about police violence appears in the film, said, “It’s still a lot to process, but I feel represented.”<\/p>\n

Watch the teaser here:<\/h3>\n