{"id":63269,"date":"2020-12-23T12:11:32","date_gmt":"2020-12-23T15:11:32","guid":{"rendered":"https:\/\/www.rioonwatch.org\/?p=63269"},"modified":"2025-09-13T14:08:37","modified_gmt":"2025-09-13T17:08:37","slug":"3rd-full-network-meet-up-part-3-launch-of-favela-museum-and-memory-guide","status":"publish","type":"post","link":"https:\/\/rioonwatch.org\/?p=63269","title":{"rendered":"Sustainable Favelas&#8217; 3rd Annual Meet-Up, Part 3: Launch of Favela Museum and Memory Guide"},"content":{"rendered":"<p style=\"text-align: right;\"><em><strong><a href=\"http:\/\/bit.ly\/3oWmlOQ\" target=\"_blank\" rel=\"noopener noreferrer\">Clique aqui para Portugu\u00eas<\/a><a href=\"https:\/\/bit.ly\/32ShEhs\"><img decoding=\"async\" class=\"alignright wp-image-23766 size-full\" src=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2012\/08\/PT-e1439583827971.png\" width=\"20\" height=\"20\" \/><\/a><\/strong><\/em><\/p>\n<p><i>This is the third article in a <a href=\"http:\/\/bit.ly\/2KnL9R5\" target=\"_blank\" rel=\"noopener\">series covering the events of the 3rd Annual Full-Network Meet-Up<\/a>\u00a0of the Sustainable Favela Network, which happened online on November 7, 2020.\u00a0<\/i><\/p>\n<p><i><em>The\u00a0<a href=\"http:\/\/bit.ly\/2Tx1mVa\" target=\"_blank\" rel=\"noopener\">Sustainable Favela Network<\/a>\u00a0(SFN) is a project of Catalytic Communities (CatComm)* with the aim of building solidarity networks, increasing visibility, and developing joint activities that support the expansion of community-based initiatives that strengthen environmental sustainability and social resilience in favelas across the Rio de Janeiro Metropolitan Region. The project began with the 2012 film\u00a0<a href=\"http:\/\/bit.ly\/FavelaModelo\">Favela as a Sustainable Model<\/a>, followed in 2017 with the\u00a0<a href=\"http:\/\/www.bit.ly\/RFSMapa\" target=\"_blank\" rel=\"noopener\">mapping of sustainability initiatives<\/a>\u00a0in favelas across Rio. In 2018, the program organized local\u00a0<a href=\"http:\/\/bit.ly\/2OCoJv6\" target=\"_blank\" rel=\"noopener\">exchanges<\/a>\u00a0between eight of the most well-established community programs, followed by the\u00a0<a href=\"http:\/\/bit.ly\/2YOxPrb\" target=\"_blank\" rel=\"noopener\">1st Annual Full-Network Meet-Up<\/a>, launching the SFN formally on November 10, 2018. In 2019, the program organized another round of exchanges\u2014this time open to all SFN members and to members of the public\u2014in five favelas in Rio de Janeiro. The activities carried out in 2019 culminated in the\u00a0<a href=\"http:\/\/bit.ly\/2D7vv53\" target=\"_blank\" rel=\"noopener\">2nd Annual Full-Network Meet-Up<\/a>. In 2020, the SFN\u2019s Working Groups continued to meet\u2014online, due to the\u00a0<a href=\"http:\/\/bit.ly\/2WuDWCD\" target=\"_blank\" rel=\"noopener\">coronavirus<\/a>\u00a0pandemic\u2014carrying out a range of activities such as rounds of support (rondas afetivas),\u00a0<a href=\"http:\/\/bit.ly\/3hkUxR4\" target=\"_blank\" rel=\"noopener\">teach-ins<\/a>, seminars,\u00a0<a href=\"http:\/\/bit.ly\/3f4u08q\" target=\"_blank\" rel=\"noopener\">fundraising campaigns<\/a>, a\u00a0<a href=\"https:\/\/bit.ly\/RFSCartaVereanca\" target=\"_blank\" rel=\"noopener\">commitment letter<\/a>\u00a0for political candidates, and a\u00a0<a href=\"http:\/\/bit.ly\/35Xhfd8\">debate<\/a>\u00a0with mayoral candidates. To close the year, the Sustainable Favela Network held its 3rd Annual Full-Network Meet-Up, summarized below\u00a0<a href=\"http:\/\/bit.ly\/2KnL9R5\" target=\"_blank\" rel=\"noopener\">and in this series<\/a>, with the aim of bringing the network together, promoting the mutual strengthening of relationships among socio-environmental organizers, evaluating the SFN\u2019s 2020 activities, and making plans for 2021.<\/em><\/i><\/p>\n<h3>Launch of the SFN&#8217;s Guide to Museums and Memories<\/h3>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/11\/Guide-Cover.png\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignright wp-image-62981\" title=\"SFN's Guide to Museums and Memory\" src=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/11\/Guide-Cover.png\" alt=\"\" width=\"300\" height=\"412\" srcset=\"https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/11\/Guide-Cover.png 1103w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/11\/Guide-Cover-219x300.png 219w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/11\/Guide-Cover-746x1024.png 746w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/11\/Guide-Cover-768x1054.png 768w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>The third activity of the <a href=\"http:\/\/bit.ly\/3asD8F9\" target=\"_blank\" rel=\"noopener\">Sustainable Favela Network<\/a>\u2019s 3rd Annual Full-Network Meet-Up was carried out by the Memory and Culture Working Group. Since 2019, the Working Group has been researching initiatives that seek to preserve and educate about memory in favelas and other peripheral territories of Rio de Janeiro.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The result of this effort was the launch of the <a href=\"https:\/\/bit.ly\/33HYfiK\" target=\"_blank\" rel=\"noopener\">Guide to Museums and Memories of the Sustainable Favela Network<\/a>. This <a href=\"https:\/\/bit.ly\/RFSMuseus2020\" target=\"_blank\" rel=\"noopener\">guide<\/a> is the first of its kind and contains photos and information about 26 <a href=\"http:\/\/bit.ly\/2WhPLrQ\" target=\"_blank\" rel=\"noopener\">community museums<\/a> spread throughout Rio de Janeiro and the surrounding area. Its objective is to show the importance of <a href=\"http:\/\/bit.ly\/37D8TJX\" target=\"_blank\" rel=\"noopener\">collective memory<\/a> in the communities and to show how <a href=\"http:\/\/bit.ly\/2X2JmES\" target=\"_blank\" rel=\"noopener\">social museology<\/a> has the potential to be a unifying and democratic tool, helping strengthen the feeling of belonging to a territory.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThere is no better shortcut to show the favela as a key part of the city than a community museum. Starting from the moment when a community establishes a museum, it leaves clear, for the whole world, that it values, that it recognizes the importance of its memory, and that it is deepening its feeling of belonging there,\u201d said Theresa Williamson, of Catalytic Communities, that moderated the Meet-Up and opened the Guide&#8217;s launch event.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The preface, written by <a href=\"http:\/\/bit.ly\/2IfUc5j\" target=\"_blank\" rel=\"noopener\">Maria da Penha<\/a>, co-founder of the <a href=\"http:\/\/bit.ly\/2HVxGfk\" target=\"_blank\" rel=\"noopener\">Evictions Museum<\/a>\u00a0in <a href=\"http:\/\/bit.ly\/2IpNNB7\" target=\"_blank\" rel=\"noopener\">Vila Aut\u00f3dromo<\/a>, introduces the collectively-written texts in the guide. Each memory project&#8217;s entry has a photograph, tagline, brief explanatory text, contact information, and address, in chronological order by the founding date of each project, due to the historic nature of a guide to memory. The creation of the Guide, according to Penha, leaves clear the reason why memory has such an important role in the lives of residents of favelas and peripheries: \u201cMemory cannot be evicted!\u201d<\/span><\/p>\n<p><iframe class=\"wp-embedded-content\" title=\"\u201cGuia de Museus e Mem\u00f3rias da Rede Favela Sustent\u00e1vel \u201d \u2014 Rede Favela Sustent\u00e1vel\" src=\"https:\/\/favelasustentavel.org\/guiademuseus\/embed\/\" width=\"600\" height=\"220\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" sandbox=\"allow-scripts\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">It is because of this that across and beyond the city of Rio, dozens of community museums, with experiences, curated collections, and archives flourish, especially in recent decades. The Working Group was able to identify 26 active projects over a year. This resulted in a map of community museums that can be accessed <\/span><a href=\"https:\/\/bit.ly\/MapaMuseusRFS\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">online here<\/span><\/a><span style=\"font-weight: 400;\"> and seen below, as it appears in the Guide:\u00a0<\/span><a href=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/11\/Mapa-de-Museus.png\"><img decoding=\"async\" class=\"aligncenter wp-image-62986\" title=\"Map of initiatives documented in the SFN's Guide to Museums and Memories\" src=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/11\/Mapa-de-Museus.png\" alt=\"\" width=\"620\" height=\"463\" srcset=\"https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/11\/Mapa-de-Museus.png 2037w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/11\/Mapa-de-Museus-620x463.png 620w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/11\/Mapa-de-Museus-843x629.png 843w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/11\/Mapa-de-Museus-768x573.png 768w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/11\/Mapa-de-Museus-80x60.png 80w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/11\/Mapa-de-Museus-300x225.png 300w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/11\/Mapa-de-Museus-1024x764.png 1024w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/11\/Mapa-de-Museus-174x131.png 174w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/11\/Mapa-de-Museus-70x53.png 70w\" sizes=\"(max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p><span style=\"font-weight: 400;\">In a country that works so hard to hide the history of the struggle of favela residents, this guide demonstrates that people from the favela do not accept being silenced because, as Luiz Ant\u00f4nio de Oliveira of the <a href=\"http:\/\/bit.ly\/2IldIMY\" target=\"_blank\" rel=\"noopener\">Mar\u00e9 Museum<\/a> in the <a href=\"http:\/\/bit.ly\/2IgZ9Y4\" target=\"_blank\" rel=\"noopener\">Mar\u00e9 favelas<\/a> said at the launch, \u201cmemory is something very visceral to us.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Nucleo-de-Pesquisa-e-Orientacao-Historica-NOPH-de-Santa-Cruz-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel..png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-63271\" title=\"Profile of the Historic Orientation and Research Nucleus of Santa Cruz (NOPH) in the Guide to Museums and Memory\" src=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Nucleo-de-Pesquisa-e-Orientacao-Historica-NOPH-de-Santa-Cruz-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel..png\" alt=\"\" width=\"300\" height=\"182\" srcset=\"https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Nucleo-de-Pesquisa-e-Orientacao-Historica-NOPH-de-Santa-Cruz-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel..png 1164w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Nucleo-de-Pesquisa-e-Orientacao-Historica-NOPH-de-Santa-Cruz-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-300x182.png 300w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Nucleo-de-Pesquisa-e-Orientacao-Historica-NOPH-de-Santa-Cruz-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-1024x623.png 1024w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Nucleo-de-Pesquisa-e-Orientacao-Historica-NOPH-de-Santa-Cruz-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-768x467.png 768w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Beginning the individual presentations, Jos\u00e9 Renato Pimenta of the <\/span><a href=\"https:\/\/bit.ly\/366iN64\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Historic Orientation and Research Nucleus of Santa Cruz<\/span><\/a><span style=\"font-weight: 400;\"> (NOPH) said that although his institution was founded in 1983, there was a radical change in the way they dealt with historical assets. The NOPH founders originally intended to value the material assets of <a href=\"http:\/\/bit.ly\/2O2QZHf\" target=\"_blank\" rel=\"noopener\">Santa Cruz<\/a>; above all, Jesuit, colonial, and imperial construction. However, with the museological shift at the end of the 1980s and with the valuing of immaterial heritage, above all in the 1990s, NOPH became an ecomuseum, encompassing all of the territory of its residents. Pimenta explains: \u201cThe museum shifted to being not just one more building, walls, with material collections inside. The museum starts being the territory of the neighborhood and the population that inhabits it, that is, this puts the favela directly inside of NOPH&#8230; because 70% of the neighborhood of Santa Cruz is composed of favelas. So the population of the neighborhood starts to be a living part of the community ecomuseum&#8230;. the culture of the people of Santa Cruz become part of the ecomuseum. The favela becomes part of the living archive of the Historic Orientation and Research Nucleus of Santa Cruz ecomuseum.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-da-Mare-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-1.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-63272\" title=\"Profile of the Mar\u00e9 Museum in the SFN Guide to Museums and Memory\" src=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-da-Mare-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-1.png\" alt=\"\" width=\"300\" height=\"179\" srcset=\"https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-da-Mare-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-1.png 1187w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-da-Mare-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-1-300x179.png 300w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-da-Mare-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-1-1024x610.png 1024w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-da-Mare-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-1-768x457.png 768w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Next to speak, following the Guide&#8217;s (chronological) order, was Luiz Ant\u00f4nio de Oliveira of the Mar\u00e9 Museum, who spoke of its construction: \u201cMemory becomes an important part of social transformation, in a very subjective way. It awakens a process of belonging, where a link is created with the territory. A link is created if you know the space where you live&#8230; this link generates belonging&#8230; [in that way] you break stigmas that much of society imposed on favela residents over the decades in the city of Rio de Janeiro. It is an extremely political instrument. The Mar\u00e9 Museum is our life. <a href=\"http:\/\/bit.ly\/3nDtmE4\" target=\"_blank\" rel=\"noopener\">We talk about the Museum in the first person<\/a>. We are not talking about someone else. We\u2019re talking about us.\u201d<\/span><\/p>\n<p><a href=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Casa-de-palafita-sobre-as-aguas-da-Baia-de-Guanabara-reconstruida-no-Museu-da-Mare.-Foto-Museu-da-Mare..png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-63273\" title=\"Reconstruction of house on stilts in Guanabara Bay in the Mar\u00e9 Museum. Photo: Mar\u00e9 Museum\" src=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Casa-de-palafita-sobre-as-aguas-da-Baia-de-Guanabara-reconstruida-no-Museu-da-Mare.-Foto-Museu-da-Mare..png\" alt=\"\" width=\"620\" height=\"378\" srcset=\"https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Casa-de-palafita-sobre-as-aguas-da-Baia-de-Guanabara-reconstruida-no-Museu-da-Mare.-Foto-Museu-da-Mare..png 975w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Casa-de-palafita-sobre-as-aguas-da-Baia-de-Guanabara-reconstruida-no-Museu-da-Mare.-Foto-Museu-da-Mare.-300x183.png 300w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Casa-de-palafita-sobre-as-aguas-da-Baia-de-Guanabara-reconstruida-no-Museu-da-Mare.-Foto-Museu-da-Mare.-768x468.png 768w\" sizes=\"(max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p><span style=\"font-weight: 400;\">&#8220;In 1989, TV Mar\u00e9 was launched as a process of registering open sewage, the wounds, but also the history of the construction of that space,\u201d said Oliveira. \u201cThis consolidated with the creation of [the NGO] <a href=\"http:\/\/bit.ly\/2YomcuI\" target=\"_blank\" rel=\"noopener\">CEASM<\/a> in 1997\/1998 and with the <a href=\"http:\/\/bit.ly\/2JCm0Ot\" target=\"_blank\" rel=\"noopener\">community prep course for university entrance exams<\/a>, created for <a href=\"http:\/\/bit.ly\/3lottlE\" target=\"_blank\" rel=\"noopener\">Mar\u00e9<\/a> residents, who, deconstructing these stigmas, enter university while still belonging to Mar\u00e9 and not denying Mar\u00e9, as a sociability strategy&#8230; It is important for Mar\u00e9 residents to know that the pollution of <a href=\"http:\/\/bit.ly\/2SJm8zM\" target=\"_blank\" rel=\"noopener\">Guanabara Bay<\/a> in the region where they live is not due to the construction of houses on stilts [of old Mar\u00e9], of the residents who threw trash and took care of their needs in the water. It is important to know that the area of the [nearby] Federal University of Rio de Janeiro (UFRJ) was created by connecting eight islands through infills. What causes more environmental impact? The Mar\u00e9 Museum is born in this space&#8230; in 2006&#8230; it is born from this incredible necessity of the residents of Mar\u00e9 to have their space. And the museum is anthropophagic, it devours!\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-da-Imagem-Itinerante-da-Mare-MIIM-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel..png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-63274\" title=\"Profile of the Mar\u00e9 Museum of Traveling Images in the SFN's Guide to Museums and Memory\" src=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-da-Imagem-Itinerante-da-Mare-MIIM-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel..png\" alt=\"\" width=\"300\" height=\"178\" srcset=\"https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-da-Imagem-Itinerante-da-Mare-MIIM-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel..png 1136w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-da-Imagem-Itinerante-da-Mare-MIIM-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-300x178.png 300w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-da-Imagem-Itinerante-da-Mare-MIIM-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-1024x607.png 1024w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-da-Imagem-Itinerante-da-Mare-MIIM-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-768x455.png 768w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>The presentation of Francisco Valdean of the <a href=\"http:\/\/bit.ly\/2m2K3Ot\" target=\"_blank\" rel=\"noopener\">Mar\u00e9 Traveling Museum of Images (MIIM)<\/a>\u00a0reinforced this thesis that memory is a central instrument for the social transformation that is desired, from the grassroots. The project is<\/span><span style=\"font-weight: 400;\"> \u201cthe youngest child in the catalog,\u201d Valdean said. It is a museological project created by the artist in August 2019, during his doctoral work in art at the <a href=\"http:\/\/bit.ly\/2XiGIwl\" target=\"_blank\" rel=\"noopener\">State University of Rio de Janeiro<\/a> (UERJ), where he founded the mini museum, always thinking of images as a symbolic field related to Mar\u00e9.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The mini museum is, as its curator said, \u201can infinite exposition\u201d and is <a href=\"http:\/\/bit.ly\/2m2K3Ot\" target=\"_blank\" rel=\"noopener\">based in a shoebox<\/a> where there are three exhibitions: <\/span><span style=\"font-weight: 400;\">images in monocles, photo negatives, and pictures of uncommon life in the favelas of Mar\u00e9, the majority on 10&#215;15 photographic paper. It was founded in <a href=\"http:\/\/bit.ly\/2U7uwJQ\" target=\"_blank\" rel=\"noopener\">a Facebook post<\/a> during a barbecue in <a href=\"https:\/\/bit.ly\/3fMPxFy\" target=\"_blank\" rel=\"noopener\">Vila do Pinheiro<\/a> and still \u201cis a museum in a state of invention,\u201d according to Valdean. He says that one of the proposals of the traveling museum is to circulate in various spaces of Mar\u00e9 and other territories and spaces in Brazil and abroad, always carrying the symbolic dimension of the territories linked to their visual representations.\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Monoculos-e-fotos-do-arcevo-do-MIIM..jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-63270 size-content\" title=\"Monacles and images from the MIIM\" src=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Monoculos-e-fotos-do-arcevo-do-MIIM.-620x264.jpg\" alt=\"\" width=\"620\" height=\"264\" srcset=\"https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Monoculos-e-fotos-do-arcevo-do-MIIM.-620x264.jpg 620w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Monoculos-e-fotos-do-arcevo-do-MIIM.-1030x438.jpg 1030w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Monoculos-e-fotos-do-arcevo-do-MIIM.-940x400.jpg 940w\" sizes=\"(max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWhen showing the exhibitions in bars, barbecues, streets and plazas before the pandemic, what is clear is that the inventive part of this museum came from this contact with people\u2026 One of the first things I noticed is a matter of extreme relevance for museology and for art. \u2018But, man, is this a museum?\u2019\u2026 asking if there was a possibility that a museum\u2014which we know in monumental buildings\u2014could function in a shoebox\u2026 there were also a lot of people who looked at that box and said, &#8216;Wow, this is a museum!&#8217;, with wonder\u2026 At a school in Vila do Pinheiro, when I introduced it to a large number of students, a student raised his hand and said &#8216;My grandma is a museum!&#8217;, And I asked, &#8216;Why is your grandmother a museum?&#8217;, And he replied &#8216;Because my grandmother is full of stories and she files her photographic material in a box too!&#8217;, So I realized that part of the museum occurs in contact with the residents.\u201d<\/span><\/p>\n<p><a href=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Jovens-vendo-o-acervo-do-MIIM-de-imagens-monoculares..jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-63275 size-content\" title=\"Young people looking at the MIIM archive through monocles\" src=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Jovens-vendo-o-acervo-do-MIIM-de-imagens-monoculares.-620x264.jpg\" alt=\"\" width=\"620\" height=\"264\" srcset=\"https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Jovens-vendo-o-acervo-do-MIIM-de-imagens-monoculares.-620x264.jpg 620w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Jovens-vendo-o-acervo-do-MIIM-de-imagens-monoculares.-940x400.jpg 940w\" sizes=\"(max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p><span style=\"font-weight: 400;\">There is also a photographic exhibition on the <a href=\"http:\/\/bit.ly\/38z2kqS\" target=\"_blank\" rel=\"noopener\">MIIM websit<\/a>e composed of the \u201cwork of eleven artists from Mar\u00e9. [The exhibition] takes a look at Mar\u00e9 in the Pandemic and this very complicated moment for the favelas,\u201d said Valdean.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-das-Remocoes-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel..png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-63276\" title=\"Profile of the Evictions Museum in the SFN Guide to Museums and Memory\" src=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-das-Remocoes-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel..png\" alt=\"\" width=\"300\" height=\"178\" srcset=\"https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-das-Remocoes-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel..png 1199w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-das-Remocoes-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-300x178.png 300w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-das-Remocoes-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-1024x606.png 1024w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Museu-das-Remocoes-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-768x455.png 768w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Then, Penha, from the Evictions Museum, took the floor, praising the Network and the creation of the Guide. According to her, it is \u201cincredible work for the museums that resist,\u201d an example of collective democratic work even in the middle of the pandemic. She then presented the trajectory of the Vila Aut\u00f3dromo memory project.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As presented by Penha, the Evictions Museum \u201cis born from the rubble of eviction, a very difficult removal inside Vila Aut\u00f3dromo. It is born resisting against a whole violent process from City Hall, from the state government, and even from the Judiciary. We seemed to be at war&#8230; [The Evictions Museum] just happened over the course of the eviction. In 2015 we started to consider [creating it]. And in May 2016, this museum of territory and resistance was <a href=\"http:\/\/bit.ly\/3778AEj\" target=\"_blank\" rel=\"noopener\">launched<\/a>&#8230; It was conceived as a way to take hold of the culture, to continue fighting for our rights to be respected. And it was born with two proposals: to remain in the community, to be a tool to fight evictions, to show that we wanted to stay in this space, that we loved this space, that we were entitled to this territory, that we were being violated. And to maintain the memory of those who left, who lived in this community for so long. And to tell our story. We understood the importance of continuing in that territory and <a href=\"http:\/\/bit.ly\/2ObbL5S\" target=\"_blank\" rel=\"noopener\">telling our own story<\/a>.\u201d<\/span><\/p>\n<p><a href=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Parte-do-acervo-do-Museu-das-Remocoes.-scaled-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-63277 size-content\" title=\"Part of the Evictions Museum archive\" src=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Parte-do-acervo-do-Museu-das-Remocoes.-scaled-1-620x264.jpg\" alt=\"\" width=\"620\" height=\"264\" srcset=\"https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Parte-do-acervo-do-Museu-das-Remocoes.-scaled-1-620x264.jpg 620w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Parte-do-acervo-do-Museu-das-Remocoes.-scaled-1-940x400.jpg 940w\" sizes=\"(max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Penha concluded that even with only 20 families remaining from the hundreds who lived in Vila Aut\u00f3dromo before City Hall&#8217;s advances, the community remains strong and understands that the museum is one of its roots in its territory.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Nucleo-de-Memoria-e-Identidade-da-Mare-NUMIM-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel..png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-63278\" title=\"Profile of the Mar\u00e9 Center for Memory and Identity (NUMIM) in the SFN Guide to Museums and Memory\" src=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Nucleo-de-Memoria-e-Identidade-da-Mare-NUMIM-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel..png\" alt=\"\" width=\"300\" height=\"179\" srcset=\"https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Nucleo-de-Memoria-e-Identidade-da-Mare-NUMIM-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel..png 1130w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Nucleo-de-Memoria-e-Identidade-da-Mare-NUMIM-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-300x179.png 300w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Nucleo-de-Memoria-e-Identidade-da-Mare-NUMIM-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-1024x610.png 1024w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2020\/12\/Perfil-do-Nucleo-de-Memoria-e-Identidade-da-Mare-NUMIM-no-Guia-de-Museus-e-Memorias-da-Rede-Favela-Sustentavel.-768x457.png 768w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\u201cThis museum shows everyone that we managed to stay\u2026 this museum is all that remains of Vila Aut\u00f3dromo\u2026 We can say &#8216;this territory is mine&#8217;, pass our history on to other populations, communities that want to resist, who want to stay in their territories\u2026 and to show that the favela is part of the city\u2026 Taking possession of social museology for us to have a voice\u2026 This Guide gives us visibility, when we are generally marginalized. Shows the knowledge of the favela to others. It is important that each favela tell its own story.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The panel ended with a remarkable speech by Tereza On\u00e3 from<\/span><span style=\"font-weight: 400;\">\u00a0the <\/span><a href=\"http:\/\/bit.ly\/2wK8d23\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Mar\u00e9 Center for Memory and Identity (NUMIM)<\/span><\/a><span style=\"font-weight: 400;\">, an initiative of <\/span><span style=\"font-weight: 400;\">NGO <\/span><a href=\"http:\/\/bit.ly\/1ElmQXr\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Redes da Mar\u00e9<\/span><\/a><span style=\"font-weight: 400;\">, which has, <a href=\"http:\/\/bit.ly\/2VYTj77\" target=\"_blank\" rel=\"noopener\">since 2006<\/a>, been carrying out projects aimed at preserving the memory and <a href=\"http:\/\/bit.ly\/2MS2Rfg\" target=\"_blank\" rel=\"noopener\">history of the favela<\/a> in partnership with <\/span><a href=\"http:\/\/bit.ly\/2JvEJxr\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Azulejaria<\/span><\/a><span style=\"font-weight: 400;\">. She started by introducing herself: \u201cI am a black woman in the diaspora, and memory is essential, but in the case of the black population, where our history has never been told, memory is an impressive stimulus&#8230; orality is a foundation for our population.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">On\u00e3 calls attention to the focus on orality in black production, and speaks about storytellers, especially older ones, as a living museum of black history in the diaspora. She helps carry out the project<\/span> <a href=\"http:\/\/bit.ly\/2XYOprO\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Griots of Mar\u00e9<\/span><\/a><span style=\"font-weight: 400;\">, a living initiative of collective memory of the favela.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">One of NUMIM&#8217;s initiatives is the <\/span><a href=\"http:\/\/bit.ly\/2wK8d23\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Mar\u00e9 Open-Air Museum<\/span><\/a><span style=\"font-weight: 400;\">, a collection of memories from residents of all age groups. It has created a route made out of tiles decorated with phrases from residents, in a \u201cvery beautiful\u201d structure, according to On\u00e3. It is a circuit of memory works that begins in <a href=\"http:\/\/bit.ly\/2KoTO5N\" target=\"_blank\" rel=\"noopener\">Parque Uni\u00e3o<\/a> and ends at the Parque Ecol\u00f3gico in Vila do Pinheiro. It even crosses over borders imposed by conflicts between rival groups of drug traffickers.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Mar\u00e9 Open Air Museum is the result of twelve years of work by NUMIM aimed at preserving the memory and history of the favela. The collection of testimonials from residents produced by NUMIM is digitalized, with the aim of making the material available for consultation. In addition to the virtual space and the territorial route, NUMIM is organizing a documentation center that will be open for consultation, research and exchange of researchers from inside and outside Mar\u00e9. The idea is for the museum to be \u201ca collection of residents&#8217; memories&#8230; organized in a tiled circuit and with poetry from residents out in the open, in Mar\u00e9,\u201d said On\u00e3, adding, \u201cdue to the pandemic, The Mar\u00e9 Open Air Museum has yet to open its first exhibition, which will only happen when it is appropriate.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In addition, the birthday of Emilia Maria de Souza of the Residents and Friends Association of <a href=\"http:\/\/bit.ly\/315oUmx\" target=\"_blank\" rel=\"noopener\">Horto<\/a> and the <a href=\"https:\/\/bit.ly\/3mxZvMb\" target=\"_blank\" rel=\"noopener\">Horto Museum<\/a>, which took place on the same day as the Full-Network Meet-Up, was celebrated. Emilia thanked everyone for the birthday wishes, her friends and the <\/span><a href=\"http:\/\/bit.ly\/1ipmoAG\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">orix\u00e1s<\/span><\/i><\/a><span style=\"font-weight: 400;\">, in addition to congratulating the SFN for all that was done during the year and the Working Group for the Guide and, above all, for not stopping during the pandemic, for continuing to organize.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The feeling that dominated the morning launches of November 7, of the SFN <a href=\"http:\/\/bit.ly\/3nCv3BE\" target=\"_blank\" rel=\"noopener\">Catalog<\/a> and Guide, was that despite the pandemic, the power of creative organization continues, even if remotely. Whether in sustainable community and local handicraft production, understanding solid waste not only as an environmental urgency, but also its potential for collective solidarity, self-esteem, and income generation; or in the pride and need for recognition and appreciation of popular collective memory, as a democratic tool for empowerment and social transformation.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It became clear that, for many, community organizing is synonymous with life. Feelings that will also be present in the actions that the Working Groups realize also in 2021.<\/span><\/p>\n<h3>Watch the <a href=\"https:\/\/bit.ly\/2JijNv6\" target=\"_blank\" rel=\"noopener\">Launch<\/a> of the SFN Guide to Museums and Memories:<\/h3>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/alJ-EmpP-lE\" width=\"620\" height=\"349\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><i><span style=\"font-weight: 400;\">This is the second article in a <\/span><\/i><a href=\"http:\/\/bit.ly\/2KnL9R5\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">series covering the events of the 3rd Annual Full-Network Meet-Up<\/span><\/i><\/a><i><span style=\"font-weight: 400;\"> of the Sustainable Favela Network, which happened online on November 7, 2020.\u00a0<\/span><\/i><\/p>\n<p><i><span style=\"font-weight: 400;\">*The Sustainable Favela Network and RioOnWatch are both projects of <\/span><\/i><a href=\"http:\/\/bit.ly\/2KEWrin\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Catalytic Communities<\/span><\/i><\/a><i><span style=\"font-weight: 400;\"> (CatComm). The Sustainable Favela Network is supported by the <\/span><\/i><a href=\"http:\/\/bit.ly\/2sKLSD3\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Heinrich B\u00f6ll Foundation Brazil<\/span><\/i><\/a><i><span style=\"font-weight: 400;\">.<\/span><\/i><\/p>\n<hr \/>\n<h4><b>Support our efforts to provide strategic assistance to Rio\u2019s favelas during the Covid-19 pandemic, including\u00a0<\/b><b><i>RioOnWatch<\/i><\/b><b>\u2019s tireless, critical and cutting-edge hyperlocal journalism, online community organizing meetings, and direct support to favelas\u00a0<a href=\"http:\/\/bit.ly\/FavelaCovidResponse\" target=\"_blank\" rel=\"noopener noreferrer\">by clicking here<\/a><\/b><b>.<\/b><\/h4>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>Clique aqui para Portugu\u00eas This is the third article in a series covering the events of the 3rd Annual Full-Network Meet-Up\u00a0of the Sustainable Favela Network, which happened online on November 7, 2020.\u00a0 The\u00a0Sustainable Favela Network\u00a0(SFN) <a class=\"mh-excerpt-more\" href=\"https:\/\/rioonwatch.org\/?p=63269\" title=\"Sustainable Favelas&#8217; 3rd Annual Meet-Up, Part 3: Launch of Favela Museum and Memory Guide\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":208,"featured_media":63270,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1288,1290,1333,1268,1271,1670,1503,2723,329,452,1739],"tags":[1895,2108,2109,280,2461,474,2032,674,1560,11,2996,531,188,884,678,1160,1348,1349,1346,716,962,362,450,2994,1555,1034,383,2840,3239,2463,471,2124,194,4,1321],"writer":[2316,3171],"translator":[2186],"illustrator":[],"photographer":[],"class_list":{"0":"post-63269","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-highlight","8":"category-civilsociety","9":"category-event-reports","10":"category-favelaculture","11":"category-favelaqualities","12":"category-favela-tourism","13":"category-opportunities-to-support-favelas","14":"category-recommendations-to-do-in-rio","15":"category-solutions","16":"category-rio20","17":"category-video","18":"tag-camorim-quilombo","19":"tag-ceasm","20":"tag-community-museum","21":"tag-complexo-da-mare","22":"tag-ecomuseu-sepetiba","23":"tag-environment","24":"tag-evictions-museum","25":"tag-memory","26":"tag-favela-tour-operator","27":"tag-forced-evictions","28":"tag-griot","29":"tag-guanabara-bay","30":"tag-history","31":"tag-horto","32":"tag-launch-event","33":"tag-museu-da-mare","34":"tag-museu-da-rocinha-sankofa","35":"tag-museu-de-favela","36":"tag-museu-do-horto","37":"tag-museum","38":"tag-oral-history","39":"tag-parque-uniao","40":"tag-quilombo","41":"tag-quilombo-cafunda-astrogilda","42":"tag-redes-de-desenvolvimento-da-mare","43":"tag-sacopa-quilombo","44":"tag-santa-cruz","45":"tag-series-sfn-exchanges","46":"tag-sfn-annual-meet-up","47":"tag-social-museology","48":"tag-sustainability","49":"tag-sustainable-favela-network","50":"tag-tourism","51":"tag-vila-autodromo","52":"tag-vila-do-pinheiro","53":"writer-clara-ferraz","54":"writer-julio-santos-filho","55":"translator-mikayla-ribeiro"},"_links":{"self":[{"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/posts\/63269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/users\/208"}],"replies":[{"embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=63269"}],"version-history":[{"count":1,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/posts\/63269\/revisions"}],"predecessor-version":[{"id":81662,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/posts\/63269\/revisions\/81662"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/media\/63270"}],"wp:attachment":[{"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=63269"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=63269"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=63269"},{"taxonomy":"writer","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fwriter&post=63269"},{"taxonomy":"translator","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftranslator&post=63269"},{"taxonomy":"illustrator","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fillustrator&post=63269"},{"taxonomy":"photographer","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fphotographer&post=63269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}