{"id":64268,"date":"2021-03-04T09:45:48","date_gmt":"2021-03-04T12:45:48","guid":{"rendered":"https:\/\/www.rioonwatch.org\/?p=64268"},"modified":"2025-09-13T14:09:23","modified_gmt":"2025-09-13T17:09:23","slug":"mare-poets-share-narratives-on-their-lives-and-territory-in-collective-four-act-sound-piece","status":"publish","type":"post","link":"https:\/\/rioonwatch.org\/?p=64268","title":{"rendered":"Favela Poets Share Narratives on their Lives and Territory in Unmissable Four-Act Sound Piece"},"content":{"rendered":"<p style=\"text-align: right;\"><a href=\"http:\/\/bit.ly\/3sZOEOu\" target=\"_blank\" rel=\"noopener noreferrer\"><strong><em>Clique aqui para Portugu\u00eas<img decoding=\"async\" width=\"20\" height=\"20\" class=\"alignright size-full wp-image-23766\" src=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2012\/08\/PT-e1439583827971.png\" \/><\/em><\/strong><\/a><\/p>\n<p>In times of sadness, anxiety and uncertainty, six diverse and multidisciplinary artists hailing from the favelas of <a href=\"http:\/\/bit.ly\/2IgZ9Y4\" target=\"_blank\" rel=\"noopener\">Complexo da Mar\u00e9<\/a> have been a beacon of light in the darkness. In a project known as <em><a href=\"http:\/\/bit.ly\/38o8mvJ\" target=\"_blank\" rel=\"noopener\">Becos<\/a> <\/em>(Alleyway), these young creatives have shown the power of art to transform realities and their ability to deal with serious, pressing issues with lyricism and creativity.<\/p>\n<p><em>Becos<\/em>\u2014referencing the narrow, winding paths in favelas\u2014is a four-part <em>audiodrama<\/em> in the form of podcast episodes divided into four acts, available on all major platforms. Realized in partnership with <a href=\"http:\/\/bit.ly\/3rZPXwv\" target=\"_blank\" rel=\"noopener\">People\u2019s Palace Projects<\/a> and Mar\u00e9 NGO <a href=\"http:\/\/bit.ly\/2XSLrTF\" target=\"_blank\" rel=\"noopener\">Redes de Desenvolvimento da Mar\u00e9<\/a>, <em>Becos<\/em> sits at the <a href=\"https:\/\/bit.ly\/3udieRO\" target=\"_blank\" rel=\"noopener\">intersection of fiction and reality, poetry and prose, painting a unique picture of life in Mar\u00e9<\/a>. As we hear in the podcast\u2019s introduction to the project: \u201c[<em>Becos<\/em>] is a collective sound piece, bringing stories from the alleys; stories of denunciation and of resistance. Stories which also bring healing in the laps of our mothers, grandmothers, stepmothers, and older sisters, creating a path with each piece of advice.\u201d\u00a0<a href=\"https:\/\/bit.ly\/37b68Pw\" target=\"_blank\" rel=\"noopener\"><em>Becos<\/em> will shortly be available in English.<\/a><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/A8WaJVkaqfM\" width=\"620\" height=\"349\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3><b>&#8216;Render<\/b> unto\u00a0<b>Caesar<\/b> the Things Which Are <b>Caesar&#8217;s, <\/b>What is Xang\u00f4\u2019s, He\u2019ll Take Himself!&#8217;<\/h3>\n<p>The six voices in the story, played by <a href=\"https:\/\/bit.ly\/2NC2kQr\" target=\"_blank\" rel=\"noopener\">MC Martina<\/a>, <a href=\"https:\/\/bit.ly\/3blg2PN\" target=\"_blank\" rel=\"noopener\">Rodrigo Mar\u00e9<\/a>, <a href=\"https:\/\/bit.ly\/3k1pAmL\" target=\"_blank\" rel=\"noopener\">Thais Ayomide<\/a>, <a href=\"https:\/\/bit.ly\/3pBZYhr\" target=\"_blank\" rel=\"noopener\">Matheus de Ara\u00fajo<\/a>, <a href=\"https:\/\/bit.ly\/2OL6w0x\" target=\"_blank\" rel=\"noopener\">Thain\u00e1 In\u00e1<\/a>, and <a href=\"https:\/\/bit.ly\/3qsKqOt\" target=\"_blank\" rel=\"noopener\">Jonathan Panta<\/a> each tell a different life story, yet their narratives are intertwined and inextricable. Together, they embody the power of the collective, both in resistance and in celebration. They are art in all its might. The very same art that saves them every day, as they state in <em>Becos<\/em>: \u201cWhat saves me is my art! So, today I say out loud, like a prophecy, like an <a href=\"https:\/\/bit.ly\/3jYVr7I\" target=\"_blank\" rel=\"noopener\"><em>eb\u00f3<\/em><\/a>: none of my people shall die today!\u201d<\/p>\n<p>The four episodes, with a combined running time of 60 minutes, offer up intersectional dialogues on race and <a href=\"http:\/\/bit.ly\/2WKCqc5\" target=\"_blank\" rel=\"noopener\">racism<\/a>, ancestrality, blackness, <a href=\"http:\/\/bit.ly\/2WcwCHW\" target=\"_blank\" rel=\"noopener\">police brutality<\/a>, <a href=\"https:\/\/bit.ly\/37D8TJX\" target=\"_blank\" rel=\"noopener\">collectivity<\/a>, and much more, all set against the backdrop of Mar\u00e9.<\/p>\n<p><a href=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2021\/02\/Invitation-for-a-weekly-live-event-on-Instagram-at-5pm-with-the-authors-of-the-favela-audiodrama-Becos.-Divulgation-from-Peoples-Palace-Projects-instagram.png\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignright wp-image-64381 size-medium\" title=\"Invitation for a weekly live event on Instagram at 5pm with the authors of the favela audiodrama 'Becos'. Divulgation from People\u2019s Palace Project\u2019s instagram\" src=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2021\/02\/Invitation-for-a-weekly-live-event-on-Instagram-at-5pm-with-the-authors-of-the-favela-audiodrama-Becos.-Divulgation-from-Peoples-Palace-Projects-instagram-300x300.png\" alt=\"Invitation for a weekly live event on Instagram at 5pm with the authors of the favela audiodrama 'Becos'. Divulgation from People\u2019s Palace Project\u2019s instagram\" width=\"300\" height=\"300\" srcset=\"https:\/\/rioonwatch.org\/wp-content\/uploads\/2021\/02\/Invitation-for-a-weekly-live-event-on-Instagram-at-5pm-with-the-authors-of-the-favela-audiodrama-Becos.-Divulgation-from-Peoples-Palace-Projects-instagram-300x300.png 300w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2021\/02\/Invitation-for-a-weekly-live-event-on-Instagram-at-5pm-with-the-authors-of-the-favela-audiodrama-Becos.-Divulgation-from-Peoples-Palace-Projects-instagram.png 512w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>As a way to discuss the social, cultural and political pertinence of <em>Becos<\/em>, every Thursday since January 14, <a href=\"https:\/\/bit.ly\/37mZcic\" target=\"_blank\" rel=\"noopener\">P\u00e2mela Carvalho<\/a> from Redes da Mar\u00e9 has been interviewing the voices in the project via livestreamed events on the Redes da Mar\u00e9\u2019s <a href=\"https:\/\/bit.ly\/2N0OGpN\" target=\"_blank\" rel=\"noopener\">Instagram page<\/a>. On February 4, MC Martina came on to discuss the topics of <a href=\"https:\/\/bit.ly\/3pfH6oy\" target=\"_blank\" rel=\"noopener\">Raciality and Favela<\/a>, a topic that permeates the entire project.<\/p>\n<p>In a laid-back, yet extremely educational environment, the two inspiring women spoke for nearly an hour about their life experiences, societal observations, aspirations and frustrations. The most powerful messages stemmed from their shared experience of being black women from favelas in Rio de Janeiro.<\/p>\n<p>\u201cWe\u2019ve never been considered human beings, let alone artists,\u201d expressed <a href=\"http:\/\/bit.ly\/2xPvBdV\" target=\"_blank\" rel=\"noopener\">MC Martina<\/a>, whose work, as put by Carvalho, seeks to \u201cbring visibility to the narratives and artistic production of black women from favelas in particular.\u201d<\/p>\n<p><a href=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2021\/02\/MC-Martina-is-a-poet-rapper-cultural-producer-slam-poet-and-creator-of-Slam-Laje.-Photo-by-Josiane-Santana.jpg\"><img decoding=\"async\" class=\"alignright wp-image-64384 size-medium\" title=\"MC Martina is a poet, rapper, cultural producer, slam poet, and creator of Slam Laje. Photo by Josiane Santana\" src=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2021\/02\/MC-Martina-is-a-poet-rapper-cultural-producer-slam-poet-and-creator-of-Slam-Laje.-Photo-by-Josiane-Santana-250x300.jpg\" alt=\"MC Martina is a poet, rapper, cultural producer, slam poet, and creator of Slam Laje. Photo by Josiane Santana\" width=\"250\" height=\"300\" srcset=\"https:\/\/rioonwatch.org\/wp-content\/uploads\/2021\/02\/MC-Martina-is-a-poet-rapper-cultural-producer-slam-poet-and-creator-of-Slam-Laje.-Photo-by-Josiane-Santana-250x300.jpg 250w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2021\/02\/MC-Martina-is-a-poet-rapper-cultural-producer-slam-poet-and-creator-of-Slam-Laje.-Photo-by-Josiane-Santana.jpg 640w\" sizes=\"(max-width: 250px) 100vw, 250px\" \/><\/a><\/p>\n<p>At 22, and born and raised in the <a href=\"http:\/\/bit.ly\/3dpWZGI\" target=\"_blank\" rel=\"noopener\">Pedra do Sapo<\/a> favela in <a href=\"http:\/\/bit.ly\/2XRgRuR\" target=\"_blank\" rel=\"noopener\">Complexo do Alem\u00e3o<\/a> (though recently-turned resident of Mar\u00e9), MC Martina is a rapper, cultural producer, <a href=\"https:\/\/bit.ly\/3afAJNE\" target=\"_blank\" rel=\"noopener\">slam poet<\/a>, and creator of <a href=\"https:\/\/bit.ly\/3rNVTZm\" target=\"_blank\" rel=\"noopener\">Slam Laje<\/a>, the <a href=\"https:\/\/glo.bo\/2ILILxI\" target=\"_blank\" rel=\"noopener\">first spoken word battle in Complexo do Alem\u00e3o<\/a>. She explained how her introduction to slam poetry, and more broadly to artistic expression, gave her a platform which was not previously afforded to her: \u201ceverything I say [now], I\u2019ve always said, but never before did people stop to listen to me.\u201d<\/p>\n<p>A crucial topic of discussion at the event was that of <a href=\"http:\/\/bit.ly\/2xFmEVx\" target=\"_blank\" rel=\"noopener\">society\u2019s categorization of black people and favela residents<\/a>, a trope which only serves to perpetuate racist stereotypes. \u201cPeople don\u2019t recognize our plurality&#8230; we\u2019re very diverse&#8230; people think all black people are the same. We\u2019re really not, man,\u201d expressed MC Martina. To reinforce this, Carvalho commented on the two <a href=\"http:\/\/bit.ly\/3dpUgx1\" target=\"_blank\" rel=\"noopener\">frequently-used stereotypes for black women<\/a>: the <em>mulata<\/em>, whose body is objectified, or the black woman who is there to serve others, typically <a href=\"http:\/\/bit.ly\/2NibRw4\" target=\"_blank\" rel=\"noopener\">overweight<\/a> and darker-toned.<\/p>\n<blockquote><p>\u201cIf society is not moved by tragedy, by pain&#8230; I try to move them through art.\u201d \u2014 MC Martina<\/p><\/blockquote>\n<p>On this idea of plurality, this time bringing in a geographical dynamic, MC Martina commented that her experience is that of a black body, a woman\u2019s body, in Rio de Janeiro, in the Southeast region of Brazil. She explained that she could not comment on what it was like to be a black body in the Northeast or the South. \u201cThey\u2019re other lived experiences,\u201d she added.<\/p>\n<p>For MC Martina, her body relates to a number of different movements: women\u2019s movements, black movements, favela movements, LGBT movements. \u201cI am, therefore I do,\u201d she expressed, explaining how her work, and her body, engages with all these groups. \u201cIt\u2019s not a career choice, it\u2019s your life.\u201d<\/p>\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/CLEY_03JnkY\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"13\">\n<div style=\"padding: 16px;\">\n<p>&nbsp;<\/p>\n<div style=\"display: flex; flex-direction: row; align-items: center;\">\n<div style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\">\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div>\n<\/div>\n<\/div>\n<div style=\"padding: 19% 0;\"><\/div>\n<div style=\"display: block; height: 50px; margin: 0 auto 12px; width: 50px;\"><\/div>\n<div style=\"padding-top: 8px;\">\n<div style=\"color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\">Ver essa foto no Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0;\"><\/div>\n<div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\">\n<div>\n<div style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div>\n<div style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px;\">\n<div style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div>\n<div style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #F4F4F4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"><\/div>\n<\/div>\n<div style=\"margin-left: auto;\">\n<div style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div>\n<div style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div>\n<div style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div>\n<\/div>\n<\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\">\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/CLEY_03JnkY\/?utm_source=ig_embed&amp;utm_campaign=loading\" target=\"_blank\" rel=\"noopener\">Uma publica\u00e7\u00e3o compartilhada por People\u2019s Palace Projects (@peoplespalaceprojects)<\/a><\/p>\n<\/div>\n<\/blockquote>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n<blockquote><p><a class=\"c-link\" href=\"https:\/\/www.instagram.com\/mcmartina_\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https:\/\/www.instagram.com\/mcmartina_\/\" data-sk=\"tooltip_parent\">@mcmartina_<\/a> talks about the verses she created for <a class=\"c-link\" href=\"https:\/\/www.instagram.com\/explore\/tags\/becospodcast\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https:\/\/www.instagram.com\/explore\/tags\/becospodcast\/\" data-sk=\"tooltip_parent\">#Becospodcast<\/a>. What about you? Have you listened to this sound piece about day-to-day life in favelas and its various characters? <span class=\"c-emoji c-emoji__medium c-emoji--inline\" data-qa=\"emoji\" data-sk=\"tooltip_parent\"><img decoding=\"async\" src=\"https:\/\/a.slack-edge.com\/production-standard-emoji-assets\/13.0\/google-medium\/1f3a7.png\" alt=\":fones_de_ouvido:\" aria-label=\"Emoji fones de ouvido\" data-stringify-type=\"emoji\" data-stringify-emoji=\":headphones:\" \/> Check it out<\/span>! <em>Becos<\/em> is available on all digital platforms and also on its official website (link on the bio) <a class=\"c-link\" href=\"https:\/\/www.instagram.com\/explore\/tags\/podcast\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https:\/\/www.instagram.com\/explore\/tags\/podcast\/\" data-sk=\"tooltip_parent\">#podcast<\/a>\u00a0<a class=\"c-link\" href=\"https:\/\/www.instagram.com\/explore\/tags\/spotifybrasil\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https:\/\/www.instagram.com\/explore\/tags\/spotifybrasil\/\" data-sk=\"tooltip_parent\">#spotifybrasil<\/a>\u00a0<a class=\"c-link\" href=\"https:\/\/www.instagram.com\/explore\/tags\/favela\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https:\/\/www.instagram.com\/explore\/tags\/favela\/\" data-sk=\"tooltip_parent\">#favela<\/a>\u00a0<a class=\"c-link\" href=\"https:\/\/www.instagram.com\/explore\/tags\/arte\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https:\/\/www.instagram.com\/explore\/tags\/arte\/\" data-sk=\"tooltip_parent\">#arte<\/a>\u00a0<a class=\"c-link\" href=\"https:\/\/www.instagram.com\/explore\/tags\/potencia\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https:\/\/www.instagram.com\/explore\/tags\/potencia\/\" data-sk=\"tooltip_parent\">#potencia<\/a>\u00a0<a class=\"c-link\" href=\"https:\/\/www.instagram.com\/explore\/tags\/poesia\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https:\/\/www.instagram.com\/explore\/tags\/poesia\/\" data-sk=\"tooltip_parent\">#poesia<\/a><\/p><\/blockquote>\n<p>Elaborating on the question of black bodies in society, the two women spoke at length about the normalization of violence towards black people, rendering them mere numbers. \u201cThey were 80, they were 11, they were numbers,\u201d is a line from <em>Becos<\/em> which Carvalho drew upon and which served as a rich point of departure for the following part of the dialogue.<\/p>\n<p>\u201cOur bodies have become trivialized. The death of our people has become trivialized,\u201d added MC Martina, drawing on the example of <a href=\"http:\/\/glo.bo\/2N08jOT\" target=\"_blank\" rel=\"noopener\">Ana Clara Machado,<\/a> a 5-year-old girl who was shot on February 2 in Monan Pequeno, Pendotiba, in <a href=\"https:\/\/bit.ly\/32CGGR0\" target=\"_blank\" rel=\"noopener\">Nit\u00e9roi<\/a>. She also cited the cases of <a href=\"http:\/\/bit.ly\/2W0pkJO\" target=\"_blank\" rel=\"noopener\">Eduardo Jesus de Ferreira<\/a>, <a href=\"http:\/\/bit.ly\/2Ifz6OC\" target=\"_blank\" rel=\"noopener\">Marcos Vin\u00edcius<\/a> and <a href=\"http:\/\/bit.ly\/2T34pnL\" target=\"_blank\" rel=\"noopener\">\u00c1gatha F\u00e9lix<\/a>.<\/p>\n<p>In this sense, in a mix of praise to the sacred and a cry for justice, the poets, in all their diversity, chant united in their blackness: \u201cHave you ever seen a slave ship reverse? I steer one! Today no one will return to the whip! Today no one will return to the chains! Today no one will return to the slave quarters! Today none of my people shall die! Our people shall all live!\u201d<\/p>\n<p>Another key topic is that of glamorization of black bodies. Carvalho pointed out that one of the struggles of being a black artist in Brazil is the public\u2019s tendency towards romanticization without really considering the reality of being black in Brazil. \u201cWe must never lose sight of who we are, because today we can be on stage at Rock in Rio and tomorrow in the Get\u00falio Vargas Hospital,\u201d she highlighted.<\/p>\n<p>\u201cPeople glamorize everything: they glamorize racism, they glamorize our bodies, they glamorize our reality, when there is nothing romantic about being woken up by gunshots, losing family members&#8230; and essentially having to do everything in the name of survival,\u201d added MC Martina.<\/p>\n<p>\u201cNot a single adapted screenplay, from Netflix or a soap opera, could describe what it is to be a black body in this decade,\u201d is an impactful line from one <em>Becos<\/em> episode, or act, as they are called in the project. On the schism between <a href=\"http:\/\/bit.ly\/37rISNc\" target=\"_blank\" rel=\"noopener\">film and television portrayals<\/a> and lived experience, MC Martina <a href=\"http:\/\/bit.ly\/3aMBRIV\" target=\"_blank\" rel=\"noopener\">lamented that the black actors<\/a> in <em>Malha\u00e7\u00e3o<\/em> or other Brazilian soap operas are always cast as either police officers or criminals. \u201cThis is really serious. It\u2019s important to talk about this because it can destroy people\u2019s minds,\u201d she expressed.<\/p>\n<p>With mental health issues affecting the lives of so many, <em>Becos<\/em> goes a long way to address issues related to <a href=\"http:\/\/bit.ly\/2ycUjKl\" target=\"_blank\" rel=\"noopener\">mental health in Mar\u00e9<\/a>. It was produced alongside the international research project <a href=\"https:\/\/bit.ly\/3qaaSw9\" target=\"_blank\" rel=\"noopener\">Building the Barricades<\/a>, which has as its aim to investigate the mental health and well-being of Mar\u00e9 residents, demonstrating, as Tha\u00eds Cavalcante wrote in an <a href=\"https:\/\/bit.ly\/2KwEJ23\" target=\"_blank\" rel=\"noopener\">article<\/a> for <a href=\"https:\/\/bit.ly\/33tm8dz\" target=\"_blank\" rel=\"noopener\"><em>Mar\u00e9 de Not\u00edcias<\/em><\/a>, that &#8220;art is also a research tool.\u201d<\/p>\n<p>Art is indeed a powerful research tool, and it is universally available to us all. When asked by Carvalho what a line from <em>Becos<\/em>, \u201chollow poets have no echo,\u201d means to Martina, her words were profound: \u201cEveryone has the potential to be an artist&#8230; you just have to awaken it. Sometimes you\u2019ll awaken it while watching a Flamengo match. Sometimes you\u2019ll awaken it watching a TV show. Sometimes you\u2019ll awaken it seeing a clown juggling at the traffic light. These things all awaken your inner artistry, you just have to allow them to.\u201d<\/p>\n<p><a href=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2021\/02\/Divulgation-art-for-the-podcast-Becos-or-in-English-Alleyways-a-literary-initiative-in-4-acts..png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-64385\" title=\"Publicity for the podcast 'Becos' or, in English, 'Alleyways', a literary initiative in 4 acts.\" src=\"https:\/\/www.rioonwatch.org\/wp-content\/uploads\/2021\/02\/Divulgation-art-for-the-podcast-Becos-or-in-English-Alleyways-a-literary-initiative-in-4-acts..png\" alt=\"Publicity for the podcast 'Becos' or, in English, 'Alleyways', a literary initiative in 4 acts.\" width=\"620\" height=\"349\" srcset=\"https:\/\/rioonwatch.org\/wp-content\/uploads\/2021\/02\/Divulgation-art-for-the-podcast-Becos-or-in-English-Alleyways-a-literary-initiative-in-4-acts..png 1367w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2021\/02\/Divulgation-art-for-the-podcast-Becos-or-in-English-Alleyways-a-literary-initiative-in-4-acts.-300x169.png 300w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2021\/02\/Divulgation-art-for-the-podcast-Becos-or-in-English-Alleyways-a-literary-initiative-in-4-acts.-1024x577.png 1024w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2021\/02\/Divulgation-art-for-the-podcast-Becos-or-in-English-Alleyways-a-literary-initiative-in-4-acts.-768x433.png 768w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2021\/02\/Divulgation-art-for-the-podcast-Becos-or-in-English-Alleyways-a-literary-initiative-in-4-acts.-580x326.png 580w, https:\/\/rioonwatch.org\/wp-content\/uploads\/2021\/02\/Divulgation-art-for-the-podcast-Becos-or-in-English-Alleyways-a-literary-initiative-in-4-acts.-174x98.png 174w\" sizes=\"(max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<h3>&#8216;And Can One Get Used To It? There Is No Victory When Life Is Unjust!&#8217;<\/h3>\n<p>At one point during Act IV of <em>Becos<\/em>, <a href=\"http:\/\/bit.ly\/2WRdnnG\" target=\"_blank\" rel=\"noopener\">torrential rain, typical of Rio de Janeiro summers<\/a>, floods the favela. Neighbors help each other, but a feeling of helplessness cannot help but arise, and so they shout: \u201cWhat can I do? Nothing! Nothing! Nothing! Nothing!\u201d In the midst of the storm, this scene presents the listener with the experience of many residents of Rio&#8217;s favelas who, despite living in Rio de Janeiro, a city known all around the world for its beaches, have never seen the sea themselves.<\/p>\n<p>In a flooded Mar\u00e9, after heavy tropical storms, a child named Martim goes after his ball alone in the water, and some youngsters his mother generally tells him to keep his distance from, retrieve him from the rain. Speaking with the people who took him in, Martim asks, as the torrential rain falls around them: \u201cHow big is the sea?\u201d Some there had been to the beach several times, others only once, decades ago when they were children. And yet, they all shared the same opinions on the multisensory, overwhelming experience of witnessing the infinity of the sea: an experience which further sparked the curiosity of the child who had never had the opportunity to feel those things.<\/p>\n<p>Permeating the entire podcast are scenes narrating everyday experiences: family life, religion, understanding yourself through your surroundings, reclaiming ancestrality, recreating Complexo da Mar\u00e9 through poetry\u2014all things based on life experiences. At certain points throughout the four podcasts, names of streets and locations in Mar\u00e9\u2019s many favelas interject the poems, making Mar\u00e9 itself pave the way for poetry. It is fascinating how poetry and space become interwoven; to some extent, the territory is (re)constructed through the construction of the poem.<\/p>\n<p>There are also verses which relay very powerful, emotive accounts of armed violence in favelas. We hear stories about violence against children, about the risks they face in favelas due to the <a href=\"http:\/\/bit.ly\/2ORC5WL\" target=\"_blank\" rel=\"noopener\">State\u2019s neglect<\/a>. There is also the tale of Dona Drica, a character present throughout the podcast. She is the mother of a poet, Emmanuel, a math teacher, favela resident, who was murdered by the police. The character of Dona Drica goes from housewife and mother, to victim of a State crime; she becomes a pillar of resilience and resistance in her locality. The entire favela mourns her loss, embraces her, so that even in an unthinkable moment like this, she doesn&#8217;t feel alone. On Emmanuel\u2019s birthday, friends of the family hold a party in memory of the late teacher, reading in unison one of the fallen poet\u2019s unpublished works\u2014a scene in Act IV, which is as beautiful as it is riveting and unique. This is one of many and indeed one of the clearest examples of the philosophical maxim exposed in Act I: \u201cnot a single adapted screenplay, from Netflix or a soap opera, could describe what it is to be a black body in this decade.\u201d<\/p>\n<p>Only a piece made by black artists and favela residents would be able to create an image so layered, so rich in emotions and sensations.<\/p>\n<blockquote><p>&#8220;Hollow poets have no echo. Opache spirits. What I do is a consequence of what I am.&#8221; \u2014 MC Martina<\/p><\/blockquote>\n<h3>Listen to the Podcast <em>Becos<\/em> here:<\/h3>\n<p><iframe src=\"https:\/\/open.spotify.com\/embed-podcast\/episode\/780PepjQK29UOXSBQ4jc5P\" width=\"100%\" height=\"232\" frameborder=\"0\"><\/iframe><\/p>\n<p><iframe src=\"https:\/\/open.spotify.com\/embed-podcast\/episode\/4lY3xGNj5gaKKVVUXOc8bm\" width=\"100%\" height=\"232\" frameborder=\"0\"><\/iframe><\/p>\n<p><iframe src=\"https:\/\/open.spotify.com\/embed-podcast\/episode\/5YsHtXE3usbvOL5lcCAJtj\" width=\"100%\" height=\"232\" frameborder=\"0\"><\/iframe><\/p>\n<p><iframe src=\"https:\/\/open.spotify.com\/embed-podcast\/episode\/56bRpyrNhTNFCRULciqG86\" width=\"100%\" height=\"232\" frameborder=\"0\"><\/iframe><\/p>\n<hr \/>\n<h4><b data-stringify-type=\"bold\">Support\u00a0<\/b><b data-stringify-type=\"bold\"><i data-stringify-type=\"italic\">RioOnWatch<\/i><\/b><b data-stringify-type=\"bold\">\u2019s tireless, critical and cutting-edge hyperlocal journalism, online community organizing meetings, and direct support to favelas\u00a0<\/b><b data-stringify-type=\"bold\"><a class=\"c-link\" href=\"http:\/\/bit.ly\/DonateToRioOnWatch\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"http:\/\/bit.ly\/DonateToRioOnWatch\" data-sk=\"tooltip_parent\">by clicking here.<\/a><\/b><\/h4>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>Clique aqui para Portugu\u00eas In times of sadness, anxiety and uncertainty, six diverse and multidisciplinary artists hailing from the favelas of Complexo da Mar\u00e9 have been a beacon of light in the darkness. In a <a class=\"mh-excerpt-more\" href=\"https:\/\/rioonwatch.org\/?p=64268\" title=\"Favela Poets Share Narratives on their Lives and Territory in Unmissable Four-Act Sound Piece\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":212,"featured_media":64718,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1294,1288,1290,1268,3264,1334,1329],"tags":[396,3229,3248,2570,280,32,1522,504,221,2813,674,182,1507,1900,3284,37,281,362,1580,3285,293,124,1555,796,259],"writer":[3207],"translator":[],"illustrator":[],"photographer":[],"class_list":{"0":"post-64268","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-communitymedia","8":"category-highlight","9":"category-civilsociety","10":"category-favelaculture","11":"category-podcast","12":"category-reviews","13":"category-by-international-observers","14":"tag-art","15":"tag-black","16":"tag-black-movement","17":"tag-collective","18":"tag-complexo-da-mare","19":"tag-complexo-do-alemao","20":"tag-cultural-production","21":"tag-culture","22":"tag-favela-culture","23":"tag-favela-epistemology","24":"tag-memory","25":"tag-government-neglect","26":"tag-lgbt","27":"tag-media-narrative","28":"tag-monan-pequeno","29":"tag-north-zone","30":"tag-nova-holanda","31":"tag-parque-uniao","32":"tag-pedra-do-sapo","33":"tag-pendotiba","34":"tag-poetry","35":"tag-race","36":"tag-redes-de-desenvolvimento-da-mare","37":"tag-social-media","38":"tag-youth","39":"writer-gianna-giordani"},"_links":{"self":[{"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/posts\/64268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/users\/212"}],"replies":[{"embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=64268"}],"version-history":[{"count":1,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/posts\/64268\/revisions"}],"predecessor-version":[{"id":81321,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/posts\/64268\/revisions\/81321"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=\/wp\/v2\/media\/64718"}],"wp:attachment":[{"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=64268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=64268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=64268"},{"taxonomy":"writer","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fwriter&post=64268"},{"taxonomy":"translator","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftranslator&post=64268"},{"taxonomy":"illustrator","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fillustrator&post=64268"},{"taxonomy":"photographer","embeddable":true,"href":"https:\/\/rioonwatch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fphotographer&post=64268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}